Originally a gift from the artist to Oliver Rosenorn-Lanng, who established the Costa Smeralda resort for HH The Aga Khan.
From the Bonhams catalogue:
In 1968 Seago bought Sa Conca, an apartment at Porto Cervo on the Costa Smeralda in the north of Sardinia. The attraction not only lay in the sunning location, but in the villa's terrace view of the harbour, providing a continuing source of subjects and inspiration. The year he moved there was an important one with his first exhibition at the Marlborough Gallery, but Porto Cervo was a place where the artist could relax and his mood is reflected in the paintings produced there, where an easy confidence comes to the fore.
Seago tended to concentrate on scenery when he was in Sardinia, the present lot being a good example of these unpopulated landscapes and seascapes where capturing the subtle Mediterranean light is his primary objective. Golfo Aranci is just down the coast from Porto Cervo and would have been easily reachable by the boat Seago owned. He was known to use photographs as part of the process of painting these landscapes; these worked as a compositional aid, but the paintings are defined by their subtle palette. As James W Ried writes in "Edward Seago The Landscapre Art" (Philip Wilson Publishers Ltd, London 1991), 'These vignettes of sea, sky, rocks and sand become comtemplative solilioquies, devoid of those fishermen, beach-goers and children which animated his earlier beach scenes of England, Spain and Portugal. These are moments for meditation, and for eulogies to nature's majesty'.
Pigalle's Mercury by Niels Christian Hansen (1834-1922), c.1890
Charcoal and pencil, 48.5cm x 82 cm
from the recently discovered portfolio of works in Berlin, from Auctionata, Berlin.
From their catalogue description: Niels Christian Hansen, a portrait painter from Copenhagen, left his photo studio in Copenhagen in 1889 and presumably went on a "Grand Tour" to visit continental Europe's museums. He made studies of all the important sculptures and busts and amongst them also the beautiful sculpture of Mercury attaching his winged shoes. Originally created by Jean-Baptiste Pigalle (1714-1785) in 1748 to enter into the Académie Royale, the sculpture had been a huge success and immediately got copied many times over. Hansen's drawing fascinates through its extreme detail.
N. C. Hansen studied at the Royal Danish Academy for Arts in 1851 and started working as a portrait painter in 1855/56. During this time, photography began to rise and Hansen, instead of fighting the new medium, adapted to it. He joined a partnership with a photographer and soon their company Hansen, Schou & Weller became the most famous photo studio in Copenhagen. They took pictures of all the important people of their time and many of their photographs can today be found in the most exclusive portrait collections worldwide.
Hong Kong Island and Victoria Harbour, Chinese School C19th, c.1858-1875
oil on canvas, 45x79 cm
From the Bonhams catalogue: A late 19th-century traditional representation
of Hong Kong Harbour at the zenith of its history as a storage and distribution
outpost for Western traders en route to and from southern China. Amongst the
traffic of vessels visible on the water are a prison hulk, paddle steamer, a
ship flying the American colours in addition to a plethora of Chinese, European,
commercial and fishing boats. The vessel flying a blue ensign in the left
foreground can plausibly be identified as the Royal Naval warship, HMS 'Princess
Charlotte', which was deployed as a 'receiving ship' in Hong Kong Harbour
between 1858-1875, providing temporary accommodation for sailors not yet
assigned to a particular crew.
The city of Victoria can be seen from the
north, across the harbour, from the Kowloon Peninsula. The
'godown' of Jardine Matheson and Company - the dominant trading enterprise along
the Chinese coast - is visible on the far left. On the summit of Victoria Peak,
the grouping of flags indicates the presence of the Hong Kong Signal Station,
the construction of which marked the first building on the Peak in 1861.
John Hoppner RA (British 1758-1810), oil on canvas, 30" X 25", Portrait of Emilia (Emily) Charlotte Lennox (December 1763 – 19 October 1832): Daughter of General Lord George Lennox, second son of the Duke of Richmond. Half figure portrait, wearing bluish green dress with black lace shawl. Unsigned. Provenance: Collection of Rodolphe Kann, Paris, Samuel S Joseph Esquire, London, from M. Knoedler & Co. Inc. New York. Purchased from collection of Mrs. John E. Rovenski, formerly Mrs. Morton F. Plant. Purchased at public auction, January 1957, Parke Bernet Galleries Inc. 980 Madison Ave. New York, p 96 Lot 453. Also on p. 279 depicted in her home. Label on verso from Thomas Agnew & Sons, London. Carved wood gilt frame.
Sold at Sotheby's Old Master & British Paintings sale 4 December 2014.
Marciano Baptista (1826-1896), watercolour, Matheson's Point (British Installation on Hong Kong Island, c. 1841). Buildings on the promontory of East Point are the first residence of the taipan of Jardine Matheson. (Davis Galleries, New York). (Provenance: The estate of a prominent Philadelphia collector and previously in the collection of Sir Bruce Ingram.) Period gesso gilt frame. 9"h x 13"w - image; 20 1/2"h x 24 1/2"w - frame.
Sold at Christie's Topographical Pictures 29 October 2015